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For the Victorian reading public, periodicals played a far greater role than books in shaping their understanding of new discoveries and theories in science, technology and medicine. Such understandings were formed not merely by serious scientific articles, but also by glancing asides in political reports, fictional representations, or humorous attacks in comic magazines. Ranging across diverse forms of periodicals, from top-selling religious and juvenile magazines through to popular fiction-based periodicals, and from the campaigning 'new journalism' of the late century to the comic satire of Punch, this book explores the ways in which scientific ideas and developments were presented to a variety of Victorian audiences. In addition, it offers three case studies of the representation of particular areas of science: 'baby science', scientific biography, and electricity. This intriguing collaborative volume sheds new light on issues relating to history and history of science, literature, book history, and cultural and media studies.

The past two decades have seen an outpouring of new scholarship around the world on American writer Jack London (1876-1916), author of such eternal classics as The Call of the Wild (1903), now translated into over 80 languages; The Sea Wolf (1904); and White Fang (1905). Earle Labor and Jeanne Campbell Reesman significantly advance the rising tide of critical interest with this illuminating, beautifully written, and appropriately adventurous new update of Labor's 1974 study. Reading many overlooked yet masterful stories and revealing the deep ties among London's times and his life, beliefs, and writings, the authors apply new critical approaches to his narrative structure and style and move beyond the misconceptions that have limited appreciation of the great short story writer, novelist, journalist, adventurer, socialist, and undeterrable individualist. While he produced a thousand words a day for 17 years, selling virtually everything he wrote, commanding top dollar from such magazines as Atlantic and Harper's, and producing over 50 books - on topics ranging from Klondike gold-hunting to Socialism, from prize-fighting to agrarianism - London's greatness lay in far more than his ability to produce for the marketplace. Instead, as Labor and Reesman convincingly illustrate, London's work departs sharply from the best-seller formulas of his age. He pioneered the apocalyptic novel and dystopian fiction; his People of the Abyss (1903) compares favorably with William Blake's treatises on England's poor; his indictment of the white man's South Seas excursions is as incisive as Herman Melville's; and his use of themes from Freud and Jung anticipated the new literature of the 1920s.

The Internet Book Database of Fiction - The Internet Book Database of Fiction (IBDoF) is an online database for books, mostly works of fiction. The site also hosts a message board specifically geared to the discussion of books.

Hugo Award for Best Non-Fiction Book - Winners of the Hugo Award for best non-fiction book. (After 1998, the category was retitled best related book.

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